Peter Atkins

“When I think of the way Peter Atkins works, I am reminded of the great natural historians of the nineteenth century who sought to understand the world around them and the complex relationships that existed within it by looking, collecting, categorising and classifying the specimens they found.  Through this process of documenting similarities, identifying patterns and defining difference, they established a rich resource of physical and visual material that provided the basis for their own scientific inquiry and much subsequent understanding.  Similarly fascinated by the surrounding world, Atkins looks intently, collects relentlessly and sorts, finding order and variation.  His focus is however firmly on the twentieth and twenty-first centuries and the man-made specimens that are mostly overlooked as ubiquitous elements and detritus of the everyday urban environment.” Kirsty Grant 

 

Tab 2005
Oil and enamel on canvas
100 x 100 cm
Blue Spoon Form 2005
Oil and enamel on canvas
180 x 180 cm
Lid 2005
Oil and enamel on canvas
100 x 100 cm
Brunswick Journal 2005
Mixed media
12 panels each 30 x 30 cm
Black Street Journal #1 2004
Mixed media
12 panels each 30 x 30 cm
Brunswick Journal #1 2000
Mixed media
12 panels each 30 x 30 cm
Black Street Journal #2 2004
Mixed media
12 panels each 30 x 30 cm
Black Street Journal #3 2004
Mixed media
12 panels each 30 x 30 cm
Cooper’s Nebula Pattern 1995
Oil & enamel on tarpaulin
215 x 205 cm
Cooper’s Harlequinade pattern 1995
Oil & enamel on tarpaulin
215 x 205 cm