Listen back to Judy Watson interviewed this week on ABC RN The Art Show.
And a review in The Age.
Judy’s exhibition memory scars, dreams and gardens continues at Tolarno Galleries until 12 December. Come in and see us!
If visiting the gallery in Melbourne is not an option, the Judy Watson Online Viewing Space is open. Find details of all the available works, installation images and catalogue essay by Katina Davidson, A/Curator, Indigenous Australian Art, Queensland Art Gallery | Gallery of Modern Art.
Tolarno Galleries will reopen to the public from 10am Friday 13 November with a limited number of visitors allowed into the exhibition in accordance with Victorian Government guidelines.
Regular opening hours resume, Tuesday to Friday 10am – 5 pm, Saturday 1pm – 4pm.
The gallery reopens with a new exhibition:
memory scars, dreams and gardens
13 November to 12 December 2020
A new urgency is present in Judy Watson’s memory scars, dreams and gardens… With matrilineal Waanyi ancestry, Watson’s artistic practice is centred in truth telling and ever informed by the archives that she mines. As observed by senior curator Hetti Perkins in a recent conversation with Judy Watson, her practice is “deeply personal, observational” and holds “simultaneously expression of the global ‘big picture’ and personal ‘small picture’”.
In the case of this body of work, the sentiment rings true. Rather than facing back into history – including researching evidence of massacres, and identifying historic cultural objects held in the bowels of overseas institutions – this body of work is rooted in her observations of the present. In Watson’s words, the works embody:
what I have seen
what I have done
where I have been
what I have made
Image: Judy Watson memory scar, cotton tree leaf, grass, brachychiton illawarra flame tree pods 2020, indigo, acrylic, graphite, pigment and acrylic binder medium on canvas, 180 x 148.5 cm
Online Viewing Space
Shoegazer, a diverse group of drawings made by Andrew Browne during the extended Melbourne COVID-19 lockdown, is a playful allusion to that sub-genre of indie rock, Shoegaze, but more so to the attention one pays to subjects and prompts found close at hand… almost underfoot. These somewhat introspective images are tender and intuitive encounters with observation, composition and mood.
Since the 1980s Melbourne-based Andrew Browne has established an unmistakable body of work across painting, drawing, photogravure, intaglio and lithography. Using photography as a tool, he investigates the phenomena of illumination, the poetics of the nocturne and the everyday.
His new series of drawings continues a decades’ long interest in landscape and natural phenomena, though one alienated and surreal. An uneasy tension exists within his images of organic growth and the detritus of human existence.
Image: ANDREW BROWNE Shoegazer (vacant lot) 2020, pencil on Moulin Du Gue paper, image size 37.5 x 26 cm, paper size: 76 x 56.5 cm