Peter Atkins

“When I think of the way Peter Atkins works, I am reminded of the great natural historians of the nineteenth century who sought to understand the world around them and the complex relationships that existed within it by looking, collecting, categorising and classifying the specimens they found.  Through this process of documenting similarities, identifying patterns and defining difference, they established a rich resource of physical and visual material that provided the basis for their own scientific inquiry and much subsequent understanding.  Similarly fascinated by the surrounding world, Atkins looks intently, collects relentlessly and sorts, finding order and variation.  His focus is however firmly on the twentieth and twenty-first centuries and the man-made specimens that are mostly overlooked as ubiquitous elements and detritus of the everyday urban environment.” Kirsty Grant 

 

Cooper’s Pennant Patterns 1995
Oil & enamel on tarpaulin
215 x 205 cm
Katab Flower and Spot Pattern 1993
Oil & enamel on tarpaulin
215 x 205 cm
Katab Eye Pattern 1993
Oil & enamel on tarpaulin
215 x 205 cm