Amos Gebhardt

Gebhardt presents a filmic dance of an entirely different kind. In this multi-channel video, Lovers, 2018 – Gebhardt celebrates the drama of powerful thoroughbred horses, performing a courting ritual of extraordinary intimacy. Gebhardt’s poetic meditation on the animal language of consent and desire connects the viewer to a force and emotion, in which we become complicit partners to an act of passion.
– Erica Green, Divided Worlds, Adelaide Biennial of Australian Art 2018

Download the media release for Night Horse. Visit the Night Horse Online Viewing Space

Download the Evanescence essay by Joanna Kitto. Visit the Evanescence Online Viewing Space


Amos Gebhardt ‘Evanescence’ 4 channel video. Part of the exhibition ‘Spooky Action (at a distance)’ at The Substation, 12 February – 27 March 2021. Photography by Sarah Walker
Artlink magazine – Amos Gebhardt cover story, December 2020
Amos Gebhardt ‘Family Portrait’ 2020. Archival inkjet pigment print, 119 x 174 x 6 cm framed size. edition of 6 + 2 AP. Bowness Photography Prize 2020 finalist
Amos Gebhardt ‘Family portrait’ triptych 2020, from the series ‘Small acts of resistance’ archival inkjet pigment print, 100 x 70 cm, 100 x 140 cm, 100 x 70 cm. Bowness Photography Prize 2020 finalist.