Peter Atkins

“When I think of the way Peter Atkins works, I am reminded of the great natural historians of the nineteenth century who sought to understand the world around them and the complex relationships that existed within it by looking, collecting, categorising and classifying the specimens they found.  Through this process of documenting similarities, identifying patterns and defining difference, they established a rich resource of physical and visual material that provided the basis for their own scientific inquiry and much subsequent understanding.  Similarly fascinated by the surrounding world, Atkins looks intently, collects relentlessly and sorts, finding order and variation.  His focus is however firmly on the twentieth and twenty-first centuries and the man-made specimens that are mostly overlooked as ubiquitous elements and detritus of the everyday urban environment.” Kirsty Grant 

 

Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘Carpark Column, Melbourne’ 2024, acrylic on salvaged plywood, 34 x 16 x 17 cm, installation view.
Peter Atkins ‘Gelateria, Brunswick’ 2023, acrylic on board, 6 panels 71 x 80 cm, installation view.
Peter Atkins ‘Gelateria, Brunswick’ 2023, acrylic on board, 6 panels 71 x 80 cm, detail.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘Roofline, Glen Waverley’ 2023, acrylic on board, 4 panels, 28 x 105 cm, detail.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘Roadhouse, Gundagai’ 2024, acrylic on board, 3 panels, 33 x 116 cm, detail.