Peter Atkins

“When I think of the way Peter Atkins works, I am reminded of the great natural historians of the nineteenth century who sought to understand the world around them and the complex relationships that existed within it by looking, collecting, categorising and classifying the specimens they found.  Through this process of documenting similarities, identifying patterns and defining difference, they established a rich resource of physical and visual material that provided the basis for their own scientific inquiry and much subsequent understanding.  Similarly fascinated by the surrounding world, Atkins looks intently, collects relentlessly and sorts, finding order and variation.  His focus is however firmly on the twentieth and twenty-first centuries and the man-made specimens that are mostly overlooked as ubiquitous elements and detritus of the everyday urban environment.” Kirsty Grant 

 

Peter Atkins, ‘Roller Doors, Cairo’ 2024, acrylic on board, 4 panels, 60 x 66 cm, detail.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘BUILT FORM’, 17 August 2024 – 14 September 2024 installation view.
Peter Atkins ‘Sydney Road Project’ 2024, Bunnings paint sample cards on paper, 20 works, each 28 x 38 cm. Overall size: 187.5 x 190.5 cm. Framed set. Installation view. Works in order (left to right): ‘Chemist Warehouse’, ‘My Bike’, ‘Madonna Electric’, ‘Ultra Exotic Lounge’, ‘Bank’, ‘Repco’, ‘Barbershop’, Body Piercing/Tatoo Removal, 7/11, Shop and Dwelling, Hair 2000, Bunnings, Pools Pumps Tanks, ‘Domino’s’, ‘Electrical’, ‘Alyasya Restaurant’, ‘Fantastic Variety’, ‘Car Yard’, ‘Pick Up/Delivery’, ‘Dunlop Super Dealer’.
Peter Atkins ‘7/11’ (detail), part of ‘Sydney Road Project’ 2024, Bunnings paint sample cards on paper, 28 x 38 cm.
Peter Atkins ‘The Passengers’ 23 March – 27 April 2019
Peter Atkins ‘The Passengers No1’ installation view
Peter Atkins ‘The Passengers No2’ installation view
Peter Atkins ‘The Passengers No3’ installation view