Caroline Rothwell’s practice engages with the politics of place, migration, conflict and mortality through the lens of the environment. Her work often draws on the anatomy of endangered or extinct species, though she is equally known for creating mutant and hybrid forms that explore the impacts of biotechnology and environmental contamination. What may at first appear playful or innocent in Rothwell’s work – shiny surfaces, toy-like contours, the allure of a flower or animal – are typically decoys for more ominous or unsettling subjects. – Art Gallery of New South Wales

Tyger III
2010
Bronze automotive paint and lacquer
48 x 127 x 16 cm
Edition 2/6
Bronze automotive paint and lacquer
48 x 127 x 16 cm
Edition 2/6

Tyger II
2010
Bronze automotive paint and lacquer
56.5 x 88 x 20 cm
Editoin 2/6
Bronze automotive paint and lacquer
56.5 x 88 x 20 cm
Editoin 2/6

Tyger lll
2010
Bronze automotive paint and lacquer
48 x 127 x 16 cm
Edition 2/6
Bronze automotive paint and lacquer
48 x 127 x 16 cm
Edition 2/6

Tyger I
2010
Bronze automotive paint and lacquer
56.5 x 51 x 23 cm
Edition 2/6
Bronze automotive paint and lacquer
56.5 x 51 x 23 cm
Edition 2/6

Tyger ll
2010
Bronze automotive paint and lacquer
56.5 x 88 x 20 cm
Edition 2/6
Bronze automotive paint and lacquer
56.5 x 88 x 20 cm
Edition 2/6

Comparative Anatomy (bunny head)
2010
Britannia metal and Schwartzki crystals
79 x 23 x 6 cm
Britannia metal and Schwartzki crystals
79 x 23 x 6 cm

Transmutation maquette
2010
Bronze
2.5 x 72 x 8 cm
Edition of 3
Bronze
2.5 x 72 x 8 cm
Edition of 3

Seed
2010
Enamel paint on bronze
13 x 10 x 9 cm
Edition of 50, each hand painted
Enamel paint on bronze
13 x 10 x 9 cm
Edition of 50, each hand painted

Transmutation3
Bronze
2.5 x 72 x 8 cm
Edition of 3
2.5 x 72 x 8 cm
Edition of 3

Installation view
Powdercoated Britannia metal