Caroline Rothwell’s practice engages with the politics of place, migration, conflict and mortality through the lens of the environment. Her work often draws on the anatomy of endangered or extinct species, though she is equally known for creating mutant and hybrid forms that explore the impacts of biotechnology and environmental contamination. What may at first appear playful or innocent in Rothwell’s work – shiny surfaces, toy-like contours, the allure of a flower or animal – are typically decoys for more ominous or unsettling subjects. – Art Gallery of New South Wales

Dandelion Seed
2009
Powdercoated Britannia metal
55 x 25 x 8 cm
Powdercoated Britannia metal
55 x 25 x 8 cm

Stargazers
2007 - 2008
Nickel-plated metal alloy
31.5 x 59 x 25
Nickel-plated metal alloy
31.5 x 59 x 25

Newton’s Tree
2009
Hand-cut UV-stable structural polyvinyl chloride
2.8 x 3 m
Hand-cut UV-stable structural polyvinyl chloride
2.8 x 3 m

Trophic Cascade
2010
Enamel paint on powder coated Britannia metal and Swarovski crystals
71 x 24 x 13 cm
Enamel paint on powder coated Britannia metal and Swarovski crystals
71 x 24 x 13 cm

Trophic Cascade Detail JPEG
2010
Enamel paint on powder coated Britannia metal and Swarovski crystals
71 x 24 x 13 cm
Enamel paint on powder coated Britannia metal and Swarovski crystals
71 x 24 x 13 cm

Islands
2008
Nickel-plated metal alloy, macquettes
Nickel-plated metal alloy, macquettes

Mobile Trap
2008
Nickel-plated metal alloy
Dimensions variable
Nickel-plated metal alloy
Dimensions variable

Tygers
2008
Nickel-plated metal alloy
12 x 27 x 5 cm approx.
Nickel-plated metal alloy
12 x 27 x 5 cm approx.

Tyger
2008
Nickel-plated metal alloy
12 x 27 x 5 cm approx.
Nickel-plated metal alloy
12 x 27 x 5 cm approx.

Birdland
2007
Nickel-plated metal alloy
39 x 20 x 15cm
Nickel-plated metal alloy
39 x 20 x 15cm