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Wanapati Yunupiŋu

… the stunning set-up for Wanapati Yunupiŋu’s first ever solo exhibition (Melbourne or otherwise), sets a special corner of the [Melbourne Art] Fair on fire. The south looked jealously to the Northern Centre for Contemporary Art in Darwin late last year when the exhibition Murrŋiny surveyed eight artists from Yirrkala, all working in the medium of engraved “steel” (found metals). Now we get a piece of it ourselves, with Yunupiŋu’s murrŋiny paintings that overlay images of marine life (from deep and shallow water) with ancestral designs of fire.

These works do appear both hot and cool. The exposed aluminium twinkles innocently, but I wouldn’t touch the murrŋiny surface; cut with a rotary drill, I bet it’s sharp as hell. – Victoria Perin, MeMO Review, February 2022

 

Wanapati is a Yolŋu artist who lives in the remote Gumatj homeland of Biranybirany, North East Arnhemland in the Northern Territory. This is a coastal community set amongst sand dunes and stringybark forest at the end of a lonely gravel road three hours from the nearest small town, Yirrkala. There are approximately ten houses here but no mains power or store. The residents live a life dictated by the ceremonial and seasonal calendar supplemented by regular 6 hour round trips to the mining town of Nhulunbuy for supplies.

Wanapati is the son of deceased artist and spiritual leader Miniyawany Yunupiŋu from whom he inherited rich ceremonial instruction, and was trained in the art, Law and cultural practice of his and related clans while living between the homeland communities of Waṉḏawuy (his mother’s clan land) and Biranybirany. Wanapati has been strongly influenced by peer and artist Gunybi Ganambarr who radically embraced the use of found object in his practice. Gunybi is fifteen years older than Wanapati but a very inclusive and warm mentor to younger artists. He has always actively encouraged them to find their own path, as he was, by his own mentor, Djambawa Marawili AO.

Wanapati has quickly forged his own style, etching his sacred Gumatj clan designs and narratives into the face of discarded street signs and twisted metal and aluminium surfaces that litter the landscape of North East Arnhemland. He is a physically large man but quite shy, very gentle, friendly, humorous and soft spoken. He is popular within the Yolŋu community who recognise his natural humility and respect for others.

Watch a Wanapati Yunupiŋu video here.

Wanapati Yunupiŋu pictured with his artworks, 2021
Wanapati Yunupiŋu pictured at work on ‘Gurtha’ 2021, etched aluminium, 240 x 180 cm
Wanapati Yunupiŋu – installation image Melbourne Art Fair 2022. Image courtesy Buku-Larrŋgay Mulka art centre
Wanapati Yunupiŋu ‘Gurtha’ 2021, etched aluminium, 67 x 64 cm
Gurtha 2021 – detail
Wanapati Yunupiŋu ‘Gurtha’ 2021, etched aluminium, 60 x 40 cm
Wanapati Yunupiŋu ‘Gurtha’ 2021, etched aluminium, 75 x 75 cm
Wanapati Yunupiŋu ‘Gurtha’ 2021, etched aluminium, 90 x 60 cm
Wanapati Yunupiŋu ‘Gurtha’ 2021, etched aluminium, 60 x 60 cm
Wanapati Yunupiŋu ‘Gurtha’ 2021, etched aluminium, 75 x 75 cm