Danie Mellor

Danie Mellor’s work is at once beautiful and a calling to account. Finely crafted, embellished and framed, with images and devices that disarm with humour, narrative and a play on the ‘exotic’, the work nonetheless confronts and confounds our understanding of the past. Mellor tells stories that are neither simple nor complete. Instead, the view is presented with multiple layers that challenge assumptions. Stories collide and metaphors reach further than expected.

Dr Campbell Gray, Danie Mellor: Exotic Lies Sacred Ties, The University of Queensland Art Museum, 2014, page 11.

Listen to Danie Mellor interview on ABC RN The Drawing Room (11 May 2022)

Read an interview with Danie Mellor in The Age (28 April 2022)

The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
Danie Mellor, The Song Cycle 2018
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
Danie Mellor – Landstory 2018
Diasec mounted chromogenic print on metallic photographic paper
9 panels, each 224 x 124 cm, overall 224 x 1276 cm
Edition of 3 + 2AP
Danie Mellor – The Song Cycle 2018
Wax pastel, wash with oil pigment, watercolour, metallic ink and pencil on paper mounted on aluminium
200 x 270 cm, 4 panels, each 100 x 135 cm