Benjamin Armstrong

Benjamin Armstrong creates glass and wax sculptures that slide between the homely and the uncanny.  Writing about Conflict (Monash University Collection), in which a pair of eyeballs shaped from wax sit at the edge of an egg shaped table top supported by impossibly thin legs, Dr Kyla McFarlane noted that Armstrong triggers both an emotional and intellectual response in viewers … an involuntary physical shudder of horror and delight registers deep in our own bodies.

Dr Kyla McFarlane, Swells and Shudders, Before the body – Matter 2006

Click to the read the essay Contact Images by Quentin Sprague accompanying the Under the Southern Sky (2020) series

Our new concoction 2007
Blown glass and wax
65.5 x 43.5 cm
The shape of things to come I 2006-07
Linocuts printed in black ink on hand-dyed paper with iridescent pigment, etched glass
Nine parts: 77 x 57 cm each
The shape of things to come II 2006-07
Linocuts printed in metallic pigment on hand-dyed paper, etched glass
Nine parts: 77 x 57 cm each
The shape of things to come III 2006-07
Linocuts printed in metallic pigment on hand-dyed paper, etched glass
Nine parts: 77 x 57 cm each
Tingles 2007
Blown glass, wax and wood
69 x 46 cm
Drop 2007
Blown glass, wood and wax
69 x 24.5 cm
Wharton’s Jelly 2007
Blown glass, cut glass, wax and wood
73 x 39 cm
Old Friends 2007
Blown glass, pigment, plaster and wax
104 x 36 x 17 cm
Project Space RMIT 2006
Installation view
Project Space RMIT 2006
Installation view