Tolarno Galleries presents Elizabeth Willing’s solo exhibition, Strawberry Thief, at this year’s Melbourne Art Fair. The exhibition will include a wallpaper print, a series of collage prints, hand-carved wooden sculptures and Anxiolytic. This is a bottled and branded spirit and glasses that will form part of a cocktail performance in collaboration with Melbourne mixologist, Cennon Hanson.
In his first solo exhibition since 2012, Benjamin Armstrong will present a series of linocut prints relating to Mark McKenna’s 2016 book From the Edge: Australia’s Lost Histories.
For his sixth exhibition at Tolarno Galleries, Melbourne-based Andrew Browne presents new paintings and related charcoal drawings that extend his decades long interest in a landscape of phenomena – yet one alienated from the picturesque.
Tolarno Galleries presents a collection of new Bill Henson photographic works.
“Plenty of artists conjure with images from the history of art, but none has been so ambitious in their attempt to marry the immediate, over-brimming present with the haunted past. And the fact remains that no other living Australian artist has produced as many images so full of tenderness, silence and longing” – Sebastian Smee, The Monthly April 2017
Buddens finds Rosemary Laing returning to Shoalhaven, New South Wales, the landscape of the iconic series groundspeed (2001).
As Laing notes: “The arrival of people, throughout history, shifts what happens in land, challenging those who have left their elsewhere, and disrupting the continuum of their destination place. A disruption causes a reconfiguration. It elaborates both the beforehand and the afterward.”
Download the full Buddens essay text written by Judy Annear.
Trump tweets, North Korean missile launches, global terrorism, vengeful weather, disruptive economies and Middle East instability: it feels like the rug has been pulled from under us. How do we respond to a world upside down, a place of crumbling sureties? Ben Quilty’s new work expresses the uneasiness of a society anxious about the future through the lens of personal experience – Michael Desmond, 2018