Danie Mellor

Danie Mellor’s work is at once beautiful and a calling to account. Finely crafted, embellished and framed, with images and devices that disarm with humour, narrative and a play on the ‘exotic’, the work nonetheless confronts and confounds our understanding of the past. Mellor tells stories that are neither simple nor complete. Instead, the view is presented with multiple layers that challenge assumptions. Stories collide and metaphors reach further than expected.

Dr Campbell Gray, Danie Mellor: Exotic Lies Sacred Ties, The University of Queensland Art Museum, 2014, page 11.

Listen to Danie Mellor interview on ABC RN The Drawing Room (11 May 2022)

Read an interview with Danie Mellor in The Age (28 April 2022)

Danie Mellor ‘The end of certainty’ 2020. Acrylic with gesso and iridescent wash on board. Four panels, 167.5 x 245.5 cm overall, framed
Danie Mellor ‘The Photograph’ 2020. Acrylic with gesso and iridescent wash on board, 123.5 x 60.5 cm, framed
Danie Mellor ‘As darkness is’ 2020. Chromogenic print on metallic photographic paper, 130.5 x 190.5 cm, framed. Edition of 3 + 2 AP
Danie Mellor ‘Against the dying of the light’ 2020. Acrylic on linen with gesso and iridescent wash, 93.5 x 93.5 cm, framed
Danie Mellor ‘In the world of the shade’ 2020. Acrylic on board with gesso and iridescent wash, 121.5 cm x 92.5 cm, framed
Danie Mellor ‘The dreams near Topaz’ 2020. Chromogenic print on metallic photographic paper, 45.4 x 45.4 cm, framed. Edition of 5 + 2 AP
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view
The Landspace: [all the debils are here] 2018
Installation view