Amos Gebhardt

Gebhardt presents a filmic dance of an entirely different kind. In this multi-channel video, Lovers, 2018 – Gebhardt celebrates the drama of powerful thoroughbred horses, performing a courting ritual of extraordinary intimacy. Gebhardt’s poetic meditation on the animal language of consent and desire connects the viewer to a force and emotion, in which we become complicit partners to an act of passion.

– Erica Green, Divided Worlds, Adelaide Biennial of Australian Art 2018

Download the 2019 media release for Night Horse.

Download the Evanescence essay by Joanna Kitto, Associate Curator at Samstag Museum of Art, 2020.

Download the In memory of stars exhibition essay 2024.

DOWNLOAD PROFILE / CV
Amos Gebhardt – House of Slé (2021), Eric (2020) and Family Portrait (2020) – National Photography Prize 2022 Murray Art Museum Albury. Photo Jeremy Weihrauch
Amos Gebhardt ‘Evanescence’ 4 channel video. Part of the exhibition ‘Spooky Action (at a distance)’ at The Substation, 12 February – 27 March 2021. Photography by Sarah Walker
Artlink magazine – Amos Gebhardt cover story, December 2020
Amos Gebhardt ‘Family Portrait’ 2020. Archival inkjet pigment print, 119 x 174 x 6 cm framed size. edition of 6 + 2 AP. Bowness Photography Prize 2020 finalist