On view from 18 September to 1 December 2018 at Ten Cubed is The Language of Skulls, showcasing works by Brook Andrew in the Ten Cubed collection.
Ten Cubed is a private art gallery, open to the public, where an evolving selection of contemporary artists represented by Australian and New Zealand galleries, are collected and exhibited in-depth over ten years.
Brook Andrew is a Melbourne-based interdisciplinary artist who examines dominant narratives, often relating to colonialism and modernist histories. He is the Artistic Director of the 2020 Biennale of Sydney.
Brook Andrew is represented by Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Galerie Nathalie Obadia, Paris and Brussels.
Ten Cubed is open Tuesday – Saturday 10am to 4pm.
Image: Brook Andrew Systems II (cropped) 2016. Mixed media 240 x 165 cm.
Quilty’s new series of paintings, The Bottom Feeders, shows a greedy society with a cargo cult mentality, whose cultural leaders dispense materialist trophies. A corrupt Santa stands in for the men who were initially revered as figures of implicit generosity and assumed benevolence. While the original St. Nicholas served the needy, Santa now is a symbol of self-gratification, conspicuous consumption and corporate greed, with Quilty adding uncontrolled lust for good measure. – Michael Desmond, 2018
Congratulations to Ben Quilty, whose work will be the subject of a major museum exhibition, touring to three capital cities in 2019-20.
Quilty was developed by the Art Gallery of South Australia and is curated by co-Acting Director Lisa Slade. The survey exhibition will be unveiled in Adelaide on 2 March 2019. It will then tour to the Queensland Art Gallery & Gallery of Modern Art and the Art Gallery of New South Wales until early 2020.
A fully illustrated book, published by Penguin Random House, will accompany the exhibition.
Read more in The Australian ($ paywall).
Quilty exhibition touring dates:
Art Gallery of South Australia | 2 March to 2 June 2019
Queensland Art Gallery & Gallery of Modern Art | 29 June to 13 October 2019
Art Gallery of New South Wales | 9 November 2019 to 2 February 2020
Congratulations to Nicholas Folland who has been selected for The National 2019: New Australian Art.
Folland will present a new solo show, Dawn Chorus, at Tolarno Galleries from 6 October – 3 November
Pictured: Nicholas Folland Untitled (Jump-up) 2012. Domestic crystal & glassware, nylon coated stainless steel wire. 500 x 230 x 460 cm. Installation at Art Gallery of South Australia. Photo: Saul Steed.
Opening on Saturday 25 August is Danie Mellor’s landmark new series The Landspace: [all the debils are here].
Click here to view images.
Pictured: A mythic vision 2018. Diasec mounted chromogenic print on metallic photographic paper. 126 cm diameter. Edition of 3 + 2AP
In 2019, the Australia Chamber Orchestra will revisit their original 2005 collaboration with artist Bill Henson, Luminous. A ground-breaking, cross-genre musical and visual feast, the updated performance will feature indie Israeli-Australian singer-songwriter Lior.
Henson’s haunting, dramatic photography remains the visual focus. His night-time urban landscapes and moody explorations of sensuality – twilight zones between day and night, male and female, youth and adulthood, urban and rural settings – form the background to a meditative soundscape.
This revival features new imagery and music spanning Britten and Janáček to R.E.M., and the centrepiece is Pēteris Vasks’ pensive violin concerto, Distant Light. Nostalgic, melancholic, at times manic and beautifully evocative, Luminous is an arresting, multi-sensory journey.
Luminous season runs 10 – 23 August 2019. ACO subscription packages are available now.
Read more at the Sydney Morning Herald.
Image: Bill Henson Untitled #137, 2000/2001, KMC SH41 N28, Archival inkjet pigment print, 127 × 180 cm
Congratulations to Judy Watson who will create a six-metre new work, bara, as part of the City of Sydney’s seven-part ‘Eora Journey’ public art program.
bara will comprise two towering, crescent-shaped pieces modelled on shapes of the bone fish hooks manufactured for thousands of years by Gadigal women. Made of stone, the sculpture will have a pearlescent finish so as to resemble the hooks that can still be found around the harbour. Work is expected to be completed by mid-2020.
Image: courtesy Judy Watson and UAP Media
From 2 – 5 August 2018, visit Tolarno Galleries’ stand D7 Vault Hall at Melbourne Art Fair for Strawberry Thief, the solo installation from Elizabeth Willing.
Celebrate the festive and ceremonial fruit cake with the Dark series of collages. See wallpaper from a different perspective with the Strawberry Thief (after William Morris) design on the walls, and look up close at the hand carved sculptures Umber (no. 1) and Umber (no. 2). Taste a soothing cocktail made from a vodka and valerian tincture with Anxiolytic, comprising a bottled and branded spirit and set of Pacify glasses as part of a cocktail performance in collaboration with Melbourne mixologist, Cennon Hanson.
Listen to an interview
ABC RN The Drawing Room
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Tolarno Galleries is pleased to announce representation for emerging artist Amos Gebhardt.
Gebhardt’s works have a cinematic scale and incorporate collage and dance to create multi-screen video installations and photographs.
A recipient of the Sidney Myer Creative Fellowship in 2014, Gebhardt has created moving image works for exhibition, cinema and broadcast at AGSA, Samstag Museum, ACMI, MONA, Gertrude Contemporary, SBS and ABC.
Tolarno Galleries will present Amos Gebhardt’s first solo exhibition in 2019, a continuation of the horses project, Lovers, recently included in Divided Worlds, Adelaide Biennial of Australian Art 2018.
Comprising 11 new linocut prints, along with their metal-framed set of blocks, Invisible Stories: Meditations on Port Essington is Benjamin Armstrong‘s most recent solo exhibition at Tolarno since Conjurers in 2012.
The linocut series relates to the Australian historian and multi-award winning author Mark McKenna’s book From the Edge: Australia’s Lost Histories (2016). McKenna’s book explores the central drama of Australian history: the encounter between Aboriginal and non-Aboriginal Australians. The exhibition is part of the Melbourne Art Fair’s Melbourne Art Week program from Tuesday 31 July – Sunday 5 August.
Benjamin Armstrong is on view until 18 August.
Image: Courtesy Andrew Stephens and Imprint Magazine
Congratulations to Brook Andrew who has been appointed Artistic Director of the 22nd Biennale of Sydney to be held in 2020.
A participant in the 2018 and 2010 biennales of Sydney, Brook Andrew will draw on curatorial experiences including his groundbreaking TABOO exhibition at Museum of Contemporary Art in 2012.
His distinguished 25-year career was recognised with a large-scale exhibition The Right to Offend is Sacred at the National Gallery of Victoria in 2017 and he is currently concluding a three-year-long Australian Research Council grant, Representation, Remembrance and the Memorial. This project responds to calls for a national memorial to Aboriginal loss during the Frontier Wars, a series of conflicts between Indigenous Australians and European settlers from 1788 to the 1930s.
Speaking to The Australian, Brook Andrew said he “doesn’t plan to include his own art at the 2020 biennale, saying he would be making a statement of sorts as artistic director instead. He will seek out artists and collections both locally and abroad, looking to present an exhibition that offers a snapshot of the world from an Australian perspective. He’s particularly interested in peripheral perspectives, or ‘ideas on the edge’. ‘I’m going to move the edge to the centre,’ he said.”
Brook Andrew has been represented by Tolarno Galleries since 2007. Read more at the Biennale of Sydney.
Image: Brook Andrew. Photograph: Zan Wimberley. Courtesy Biennale of Sydney.
Congratulations to Andrew Browne on winning the Geelong Contemporary Art Prize for 2018 for his work, The awakening. A biennial acquisitive award for contemporary painting with a cash prize of $30,000, the judging panel comprised Justin Paton (Head Curator of International Art, Art Gallery of New South Wales), Rebecca Coates (Director, Shepparton Art Museum) and Lisa Sullivan (Senior Curator, Geelong Gallery).
The judges commented: “This was a work that drew us in immediately and kept drawing us back. The key to its power is the board at the centre with its staring black ‘eyes’, backlit by a haunting nocturnal glow. With its flicks, smudges and overruns of colour, the plywood board suggests a painted surface hidden to the viewer, sharpening our curiosity about what has been made – or is being made – on the other side. The object could be read in multiple ways: as a redundant protest placard tied against a tree, or an abstracted crucifix-like form with looming attendants on each side. Gothic and film-noir-esque, the painting’s moodiness and ambiguity are absolutely of our times. This may be an image of the fate of painting, or a broader evocation of a world where troubling events transpire on the edge of our awareness.” Read more at Art Guide.
Andrew Browne will present a floor talk at Geelong Art Gallery on Saturday 23 June at 11.30am.
Image: Photographer Hails & Shine. Courtesy Geelong Art Gallery.
Spill is on view now until 7 July.
“The Melbourne artist builds on his enduring interest in natural phenomena by examining the suggestive ambiguities of water and the metamorphic effects of light. Developed from his large and ongoing archive of observational photography, Browne’s oil paintings are an ‘accumulation of glimpses’ knitting together fragments of landscape, light and form. He captures anthropomorphic lurkings and nuanced details in nature to conjure new realities.” – Artist Profile
Installation shot by Andrew Curtis.
Pleasure and Vexation – the strata and spectacle of history
27 May – 19 August 2018
Curated by Pātaka Art + Museum, this will be the first major exhibition of works by this award-winning contemporary Australian artist to be shown in New Zealand. Over 20 outstanding works, many large in scale, including some loaned from Australian museum and gallery collections.
A monumental mixed-media work on paper from 2010 entitled Fruits of labour provides the starting point for this selection of technically-astonishing drawings, paintings and digitally-manipulated photography, through which Mellor explores indigenous and Australian histories.
Mellor, with both indigenous and non-indigenous heritage, stresses the significance of both Indigenous Australians and colonial histories, the need to talk about their interaction, and the issues that arise from those two things being parallel.
Saturday 19 May, 2pm-3pm
Tolarno Galleries, Level 4, 104 Exhibition Street, Melbourne 3000
Bill Henson will make a rare public appearance for a book signing at Tolarno Galleries. He will sign your personal copies of books, and Tolarno will also have available for purchase on the day limited copies of otherwise sold out editions of Henson monographs, including:
Bill Henson’s exhibition of new works is on view now at Tolarno Galleries until 2 June.
Watch: Bill Henson on ABC TV The Mix
Listen: Bill Henson on ABC RN The Drawing Room
Image: Kindertotenlieder Image #17 1976 – 2016
Archival inkjet pigment print, framed
Image size: 44.8 x 37 cm Framed size: 69 x 60 cm
Edition of 10
Cairns Art Gallery
Proximity and Perception
4 May – 1 July 2018
Proximity and Perception focuses on a major new work by Danie Mellor commissioned by the Cairns Art Gallery Foundation, and places it within the context of his recent art practice and ongoing engagement with his matrilineal Country of the North Queensland rainforest region, south of Cairns.
Proximity and Perception spans the last decade of Mellor’s artistic practice and brings together highly detailed drawings rendered in Mellor’s signature blue pastel, alongside recent photographic works.
Artist talk Friday 4 May, 6.00PM
Image: Danie Mellor, Bala dulga yubanday 2014, each panel 100 x 120 cm total size: 300.0 x 360.0 cm, on paper consisting of nine panels mounted onto aluminium and mdf.
2018 Adelaide Biennial of Australian Art
3 March – 3 June 2018
Extending across Adelaide’s cultural precinct, North Terrace, the 2018 Adelaide Biennial will be presented at the Art Gallery of South Australia, Anne & Gordon Samstag Museum of Art at the University of South Australia, JamFactory and Adelaide Botanic Garden including the Santos Museum of Economic Botany. Artists include Patricia Piccinini and Louise Hearman.
Image: Louise Hearman, ‘Untitled #1405’ 2015, oil and ink on canvas, 71 x 71 cm
24 March – 5 August 2018
Queensland Art Gallery | Gallery of Modern Art
Stanley Place, Cultural Precinct, South Bank, Brisbane, Queensland
Brisbane welcomes the artworks of Patricia Piccinini to GOMA for ‘Curious Affection’, an exhibition of over 50 new and commissioned works.
This will be the most ambitious and expansive solo exhibition ever staged at QAGOMA for an Australian artist.
Image: Patricia Piccinini, ‘The Bond’ 2016